
The only people who've reviewed this movie without bringing up The Day The Clown Cried are presumably people who've never heard of The Day The Clown Cried. The story - crazed holocaust survivor finds redemption by restoring the well-being of others - screams "Oscar bait," and Jeff Goldblum's camera-owning performance certainly could have been a Crazy Heart "comeback," especially considering his sudden descent to obscurity following The Lost World (which I'd assume was intentional if he wasn't currently on a Law & Order spin-off). Thankfully (at least for me and you), director Paul Schrader doesn't do uplift. Lots of mercifully unexplained magical realism and schmaltz-cutting perversity that never feels like weirdness for weirdness' sake; when Schrader's inscrutable, he's truly inscrutable. And at this point I've accepted he'll never outgrow closing narration.